Saturday, November 10, 2018

Day 306-Beethoven on Period Instruments-Chatham Baroque- Early Classical Chamber Music



My blog inspiration book, Everything I Need to Know I Learned from a Little Golden Book recommends that we “Take in some culture once in a while”.  That is just what  you get with the Chatham Baroque Concert Series  that showcases music of the Middle Ages, Renaissance, Baroque, and Early Classical periods (roughly 1200 to 1800).  

The concert, Beethoven: the music for piano and cello was a rare opportunity to hear Beethoven’s music on the period instruments of his time with guests Dutch cellist Jasp ter Linden and historical fortepiano expert David Breitman. It was a night back in time with music played the way  that it was done in the 1700-1800’s!



Chatham Baroque - the trio  use period instruments

Reflection

I have enjoyed our Pittsburgh Symphony but this was a new experience to hear chamber music or a smaller ensemble of musicians playing the classics.  Chatham Baroque Inc. is the recent merger of two classical musical companies (Chatham Baroque and Renaissance Baroque) offering   contemporary programs  of seventeenth- and eighteenth-century music  in various intimate  venues around Pittsburgh. 


Guest Jaap ter Linden (cello) and David Breitman (fortepiano)

Beethoven: the music for piano and cello was a program of familiar music in the cozy setting of Synod Hall   which seats only 725.  I have to admit that I thought that chamber music might  not hold my interest but this show had the opposite effect. The program of four compositions written for piano and cello was upbeat. The liveliness was augmented by the musician’s enthusiasm as they played. The music was crisp and fanciful at times. I was particularly amazed with the musician's energy expended during  2 hours of  essentially constant  playing as they filled the auditorium with beautiful sounds.

 
Fortepiano copy from 1819

The fortepiano was a replica of one built in 1819. It had a unique sound and guest pianist David Breitman sure mastered  its ability especially in “Bagatelles Opus 126” a piano solo that was quick and bouncy.  Jaap ter Linden played a cello from the 1799 with gut strings. He explained, “gut strings are temperamental but the sound is  so much warmer”. When asked about the stamina needed for chamber music played on period instruments, he responded with a  beaming smile, “the energy that you put into it you get back”. 



Jaap ter Linden at the post show reception 
This was a night of giving something unique and positive back to Pittsburgh. I definitely intend to keep Chatham Baroque  in my empty-nest tool box for more early classical chamber music.


[The upcoming shows in the 2018-19 Renaissance and Chatham Baroque season  are: Renaissance Baroque concertsAyreheart, ACRONYM, and Quicksilver and  Chatham Baroque concerts:  Art of the TrioAlegria: Christmas Music from Spain and the New WorldCupid's Harp, and From Battles to Ballets (see schedule here)].

Spiritual Source
For the Lord..will rejoice over you with great gladness. With his love, he will calm all your fears. He will exult over you by singing a happy song (Zephaniah 3:17)

Other Sources